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Luke 19:41-44

Delivery of the Message

layers Part 9 of 9 menu_book More on Luke lightbulb 27 illustrations in this sermon

Pastor Albert N. Martin delivers the third part of his series on effective popular preaching, focusing on the 'delivery of the message.' He argues that effective delivery is characterized by unaffected naturalness, penetrating directness, and sanctified flexibility. Martin emphasizes that a preacher's emotions, voice, and body should naturally convey the truth that has gripped his mind and heart, rather than being artificially manipulated. He draws on biblical examples like Christ's weeping over Jerusalem and Paul's tears, as well as insights from Spurgeon and Alexander, to encourage preachers to be authentic, direct, and open to the Holy Spirit's spontaneous illumination in the pulpit.

Primary Texts

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Luke 19:41-44 Martin expounds Christ's weeping over Jerusalem to demonstrate how deep conviction of truth should naturally lead to emotional expression in preaching.
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Philippians 3:18 This passage is presented as a 'powerful polemic' for the free, controlled flow of emotions, even in the context of inspired writing, showing that emotion does not neutralize clear thought.
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John 7:37-38 Contrasted with John 4:13-14, this passage illustrates Jesus' varied use of voice, 'crying out' to a multitude, demonstrating that delivery should be appropriate to the context and message.

Outline 9 sections · 80 min

  1. Introduction: The Delivery of the Message 0:02
  2. Three Marks of Effective Delivery 3:14
  3. Unaffected Naturalness Defined 4:48
  4. Unaffected Naturalness in Emotional Flow 13:00
  5. Unaffected Naturalness in Varied Use of Voice 34:54
  6. Unaffected Naturalness in Physical Actions 48:35
  7. Penetrating Directness 54:56
  8. Sanctified Flexibility 64:45
  9. Conclusion: Gibbons' Poem and Rabbi Duncan's Example 74:20

Key Quotes

“Unaffected naturalness in preaching, is a man of God standing before the people of God with heart and mind impregnated with the truth of God, seeking to convey that truth to others without attempting to change the fingerprints of his own redeemed humanity, which of necessity must be found on the truth presented.”
“I detest with you the emotional rape committed by professional manipulators upon simple people.”
“Are all of these general principles of the relationship between what is received as fact and believed in the heart and the emotions, this whole principle of how grace lays hold of the whole man, are all those principles negated simply because a man ascends some stairs and enters what is called a pulpit?”
“For you see, if we stop the unaffected natural free flow of the emotional element. Involved in that truth. Passing up. And stand very deliberately. Now, I'm not talking about the person to whom it is natural to be very quiet. I'm not speaking now about how this works out. But I'm saying if we deliberately, as it were, batten down the hatches on any emotional expression. What we're saying to the people is you can understand what I understand. And believe what I believe. And not feel it. That's a lie.”
“Never attempt to put emotion into a sermon. That is to prostitute the pulpit and turn preaching into play acting.”
“The instant you abandon the natural and the true. You forgo the right to be believed. As well as the right to be listened to.”
“This particular author said that sermons are not born in the study. They are conceived and they gestate in the study, but they are either born or stillborn in the pulpit.”
“young men, young men, if God the Holy Ghost gives you light on your feet, follow the light. Your notes will be there next week. But the light won't.”

Applications

All listeners

  • Put off characteristics of the 'old man' like insensitivity, coarseness, dogmatism, and unloving bombast when preaching, and instead preach in the fragrance of the graces of the 'new man'.
  • Avoid erecting one's own successful methods into a universal standard for all preachers.
  • Aim at unaffected naturalness in the delivery of the sermon, avoiding any 'wooden model' of effective preaching.
  • Serve the Lord with all humility of mind, and repent if staggering with a sense of self-importance.
  • Never attempt to put emotion into a sermon, as this prostitutes the pulpit and turns preaching into play-acting.
  • Don't attempt to rule emotion out of the sermon.
  • Stay before the truth in the study until it is perceived by the mind and grips the heart, then let that truth carry you and your emotions to the people.
  • Work at mending broken circuits between your head, heart, and emotional expression, asking God for help to complete the circuit in your redeemed manhood.
  • Avoid the evils of affectation in the use of the voice, which neutralize preaching effectiveness.
  • Never plan the modulation of your sermon (e.g., when to raise or lower your voice).
  • Work on your voice outside the pulpit by reading aloud and cultivating a proper voice, but in the pulpit, be conscious only of God's glory and the truth.
  • Be careful of accusing other brethren of deliberate affectation, remembering the unconscious imitative process.
  • Avoid monotone in preaching.
  • Avoid the mesmerizing effect of neutral tone and volume.
  • Avoid the frustrating effect of subdued tone, ensuring people can hear the message.
  • Avoid the dulling effect of all raised tone and volume, which leaves no room for emphasis.
  • Seek to cultivate a use of the voice in the pulpit that resembles the quality of an engrossing parlor conversation, with natural animation, inflections, and pauses.
  • Forget yourself and be yourself in physical actions, seeking to rid yourself of grotesque, distracting, or uncouth gestures.
  • Avoid making artificial rules about physical actions in the pulpit (e.g., 'never lean on a pulpit').
  • Expose yourself to honest criticism from brethren to identify and eliminate distracting habits.
  • Preach to people's eyeballs, using their eyes as a register of their attention and understanding, and be willing to adjust if you see a 'dull, hazy, London foggy look'.
  • If your church has galleries, don't preach a whole sermon without turning to them.
  • Don't be afraid to say 'you' instead of the vague 'we' in your preaching.
  • Don't be afraid to pause after searching questions to allow minds to reflect.
  • Cultivate penetrating directness by not being so tied to your manuscript or notes that you cannot interact with the congregation.
  • Do not hide behind Edwards' example if penetrating directness is absent from your ministry due to being bound to your manuscript.
  • Cultivate sanctified flexibility, allowing for the Holy Spirit to give spontaneous light and utterance in the pulpit beyond prior preparation.
  • If God the Holy Ghost gives you light on your feet, follow that light, even if it means deviating from your notes.
  • Be on the watch for moments when thought unexpectedly 'thaws out and flows' and gives the current free course.
  • Do not 'quench the Spirit' by stifling spontaneous illumination in preaching.
  • Aim at cultivating sanctified flexibility in preaching.
  • Write sermons thoroughly and invest every thought with full expression, then pronounce as much as remembrance can retain, rather than wandering in a chaotic strain.
  • Never be so enslaved to your notes as to repress an instantaneous thought that may dart upon the soul and blaze with divine strength and majesty.

A full transcript is available on the tab. 240 paragraphs, roughly 80 minutes.

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